Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Thursday, November 13

Buy a Book, Save the World--Pass it on!

Everyone else has already said it better than I could (right down to the post title, which I only added my little encouragement tag to at the end), so I'll let you read them.

Now, git on out of here and buy a book. Any book, so long as it's new. Then pass these links along like hot potatoes, because we all have to do our part. Then, if you want, come back here and post in the comments, and tell us what book you bought. Shiny gold stars* to all my special friends who buy something and let me know. And to any of you who don't...well, no gold star. You're not special.

I'm going to the Tour de Nerdfighter event in Pittsburgh tonight, so I'll be buying at least one book to get signed. Probably more. Because when the publishing industry is in decline and everyone's running around in terror, and my career has yet to even begin...

...what better comfort can I find, than a good book?


*Seriously. I'm going to use my questionable art skills to make gold stars. Or something.

Friday, January 25

Off in my own world...

Listening to: Guster, "C'mon"

Sorry I've been off in la-la-land lately. I've been on a serious reading kick.

How serious? Well, I read Twilight this week.

Twice.

The first time, I was just plain hooked. Seriously, even if you don't read YA fiction, give it a try. It's a fascinating, wonderful book. The second time I read it...well, I was trying to figure out just how she did that. How on earth did she make the central relationship so darn compelling? I had to know.

Part of it is conflict, of course. The protagonist and her love interest are very much a supernatural Romeo and Juliet. Star-crossed, indeed.

Part of it is the characterization--Stephenie Meyer definitely has a gift for compelling characters. The protagonist (Bella) is a fascinating character, very intelligent, quick-witted, dry, and self-effacing.

The dialogue is great, too. Sparkling, witty, insightful.

To which I can only say...*sigh*. There are many books that I enjoy, quite a few I adore, but it takes something very compelling to ratchet my envy level up so high. For the first time in quite a while, I read a book and thought, with a great deal of vehemence, "Dammit! Why couldn't I have written that?"

But I didn't, and I've decided I can't let one writer's brilliance shatter my confidence...for very long.

In my own writing world, I'm in the dreaded synopsis territory. Every time I do this, it's like the very first time all over again. I go through sixteen different methods before I find that a muddled combination of all them works.

I use this method, combined with a bulleted list method. Basically, I try to boil the essence down to a single sentence, then a paragraph. Then, as I work on the one-page version, I find myself going into far too much detail and surpassing a single page, so I decide to break it all down into a bulleted list of important plot points to hit.

Once I've got my plot points mapped out, I go through and flesh them out with important details. Of course, this is the part that trips me up again, as I find myself trying to insert too many details. Next thing I know, I'm past one page again, so I have to review it all and ferret out those pesky, unnecessary details.

And so on, and so forth.

My main problem is that I don't know how long a synopsis should be. Most guidelines say, "However long the agent or editor says it should be." Well, it's rare to find that exact information on an agent's website or listing, so I'm left standing right where I was. I want a standard synopsis to send to agents that request it with the initial query, and I want something more should an agent want further detail.

So here's what I do.

I prepare two synopses. One is a single page, single-spaced (I've been told if it's one page, it can be single spaced. I've probably been misled). The other is three or more pages, double-spaced. I usually get self-indulgent and let it stretch to five pages. This way, I at least feel prepared, although just watch. I'm bound to stumble upon an agent that wants two to three pages.

Maybe I should make one that length, too.

This way lies madness.

Anyhow, that's how I do it. Anyone else have particular methods they use, or prepare synopses in different lengths than I described above? Am I way off base here? Talk to me!

Monday, January 21

Speed

Note: I started A Great and Terrible Beauty around 5 p.m. yesterday.

I finished it around 10:30.

It's the third book I've read in the past week.

*Sigh*.

Wednesday, August 15

Awesome Quiz

If you're a book lover, you have to take this quiz. If you change even one answer, it takes you down a whole different path to a different result. Pretty cool.

Evidently, I'm Catch-22. I think that's a pretty good compliment.




You're Catch-22!

by Joseph Heller

Incredibly witty and funny, you have a taste for irony in all that you see. It seems that life has put you in perpetually untenable situations, and your sense of humor is all that gets you through them. These experiences have also made you an ardent pacifist, though you present your message with tongue sewn into cheek. You could coin a phrase that replaces the word "paradox" for millions of people.


Take the Book Quiz
at the Blue Pyramid.

If you don't feel that you are possibly on the edge of humiliating yourself, of losing control of the whole thing, then possibly what you are doing isn't very vital. If you don't feel like you are writing somewhat over your head, why do it? If you don't have some doubt of your authority to tell this story, then you are not trying to tell enough. --John Irving