The Internet & Publishing

It hasn't, in the grand scheme of things, been that long since I started writing my first novel and stumbled over to the Internet, about halfway through, because I suddenly wondered what to do with the thing.

And yet so much has changed since then.

When I started querying that first novel, I needed a boatload of stamps because so few agents took e-mail queries.

For GRIM LIGHT, I still have stamps left over, because I miscalculated and bought too many (also, because my querying was successful, but I'll shut up now). And I definitely noticed, when I was doing my super-OCD spreadsheet of agents, that the number accepting e-mail submissions had increased significantly.

And when I first started looking for publishing blogs, Miss Snark and GalleyCat were about the only games in town. There may have been a few others, but they don't stick out in my memory. But if my (admittedly faulty) memory serves, Kristin Nelson and Jenny Rappaport came around not long after that. And of course, there's always Publisher's Lunch and Publishers Weekly,* which bring news of the more formal kind.

Then something happened. New blogs started popping up here, there, everywhere. It was like a game of whack-a-mole trying to hit them all.

Nowadays, you can't throw a gin & tonic without hitting an agent, editor, or general publishing blog. Keeping up on the news and everyone's opinions on it can be a bit daunting. Of course, you can follow many publishing folk on Twitter, and have a better chance of catching that bit of news you missed, but again...there are so many.

Thankfully, a few of these blogs have taken to posting weekly news and article roundups. I've found these such a timesaver--someone else is out there sifting through the blogs for the important stuff, so I don't have to. Bless 'em.

Every Friday, Nathan Bransford posts "This Week In Publishing", which gathers up newsworthy bits from the publishing world. And QueryTracker has its "Publishing Pulse", also posted on Fridays. This is more of a blog roundup, in addition to a listing of new agents and agency moves.

ETA: From the comments, Robert W. Leonard gives us Pimp My Novel and Market My Words, which also do weekly roundups; R. K. Charron points us toward Jane Friedman's blog, where she also does a weekly summary. Thanks guys!

For how notoriously slow** publishing is, it sure moves pretty fast sometimes. Thank the stars there are people out there keeping an eye on it.

What are your favorite publishing blogs? Do you know of any others that do weekly news roundups?


*I know that this publication doesn't use an apostrophe in its name. But I can't help but put one there. It just looks so wrong otherwise. And don't think I didn't debate about whether it should be a plural or singular possessive. Publishers Weekly gets off the hook because you could potentially look at it as a plural noun.

**I like to say that publishing isn't that slow, it just plans really, really far in advance.

Reeeeeeeeeeevision...

Listening to: The Thermals, "Now We Can See"

I picture a couple of yodelers calling that post title out from a mountaintop like in the old Ricola commercials.

Okaaaay...moving on.

Finished the first draft of PINK BANDANA GIRLS last week. Damn, did that feel good. All told, it took me just as many months to write as most of my first drafts (between five and seven)...except those months were spread out over a year and a half, and I worked on GRIM LIGHT, its revisions, and a few other ideas in between.

So now I'm getting ready to revise. Judging by The Husband's* reaction to the first third or so, it starts off a little too slow, so I need to throw some more conflict in there. I have a few good ideas for that.

But what I've really needed was a good synopsis. So I opened up yWriter, which I've had on this laptop and my last and never actually got around to using. I think it's going to be a huge part of my revision process from now on, though. Here's why:

yWriter has a chapter and scene breakdown feature, which essentially requires you to summarize everything. You can make files on characters, locations, and items, and insert them into each scene in which they appear. You can specify the date a scene took place and how long it lasted, as well as whether the scene involves the plot or subplot, is action or reaction. You can rate several different elements--relevance, tension, humor, etc.**

All of this was huge, and as I went along I picked up on several places where I didn't have enough conflict, or where a plot thread disappeared, or where a character acted...well, out of character. You can make notes on specific scenes or the whole project, and then you can make yWriter draw up a report using several options.

It's beautiful, in short.

It allowed me to do something very important for revisions, I think: see my story both as a big picture and on a detail level.

And now I'm ready. I'm pretty excited about it, too. I want to make this story good, dangit!

So, two things to take away from this post:

1. yWriter: highly recommended
2. It's revision time!
   

*He's the only one who gets to read stuff before I revise. That poor soul, he had NO idea what he was getting into when he married me...

**You can also change what elements you rate. For instance, if you're writing a romantic thriller, you might want to rate romance/sexual tension instead of humor.

An All-Around Guide to Editing and Revising

I am of the opinion that, just like writing, there's no one "right way" to revise a novel. You have to experiment with different methods until you find the right one for you. There are, however, a wealth of tips and tricks out there on the Internet and in your local bookstore that can help you piece together your very own, special-as-a-snowflake method.

First of all, there are two books I read in preparation for my current revision that are really shaping how I think about my work. They are:

Self-Editing for Fiction Writers: How to Edit Yourself Into Print, by Renni Browne and Dave King

This one covers nearly all the bases, attacking all those bad habits that you indulge in during your first draft. Which is all well and good, because that's what first drafts are. But in the editing process, you have to let your strict, be-spectacled taskmaster out of that closet you shoved him into six months earlier. Browne and King show just how to really let that taskmaster roll, right down to examples from both classic and contemporary literature to which they apply their own principles. The authors also offer exercises at the end of each chapter, so the reader can practice what (s)he's learned.

Tips:

• Take notes. As I read, I got so overwhelmed by all the wonderful and pertinent advice that I feared I might forget something. I made sure to capture on paper all the bits and pieces that I knew were my worst offenses. And before each editing session, I review those notes so that each important point is stuck in my head.
  

• Invest in several colors of highlighters. For each "no-no" that they outline, they advise going through your manuscript and highlighting each offense you've committed. I plan to do this on my second pass of Grim Light, after I've caught all the basic stuff. I fully expect to emerge on the other side with a very, um, colorful manuscript.

Spunk and Bite: A Writer's Guide to Bold, Contemporary Style by Arthur Plotnik

This book takes everything you learned from Elements of Style--you have read Elements, right?--and tells you just when to use or disregard all those time-honored bits of advice. It's true, many years have passed since the first publication of the hallowed Writer's Bible, and it's also true that--gulp--much of the advice contained therein doesn't always apply anymore. Go ahead, purists, throw your hats and rotten tomatoes and shoes at me. But it's all a matter of knowing when to follow the path that was laid out decades ago, and when to veer off in a new direction. This book, I hope, will show you the way.

Tips:

• Again, take notes. It can be overwhelming at times.
  
  
• Be prepared for some serious hits to your ego when you realize that it'll take a long, long while before you can successfully apply a lot of the advice in this book. It'll take some serious creativity and brain-stretching, but it'll be worth it. I'm not there, yet, of course--not anywhere near there--but I can see the payoff already.

Websites:

I've covered some of these before, but they all bear repeating. And there are a few new additions, as well. All very valuable.

Holly Lisle: How to Revise a Novel

This really helped streamline my editing process, both physically and mentally.

Holly Lisle: One-Pass Manuscript Revision: From First Draft to Last in One Cycle

Again with the streamlining.

Tess Gerritsen: The Second Draft

What to look for when you're editing.

Tia Nevitt: Word for the Novelist: Revisions, Part ONE and Part TWO

This is part of Tia's very informative and helpful Word for the Novelist series. She's a super-power-user of Word, and seems to know every facet of this complex application. If you use Word, I highly recommend perusing both the Revisions section of this guide, as well as the guide as whole. Links to each section can be found in her sidebar.

So that, my friends, is the complete list of all the elements that have shaped my revision process. Read, bookmark, and give them a try. And if you have any other links or recommended books, feel free to share in the comments, and we'll add to the list!

P.S. And if you're beyond the revision process at this point and on the hunt for beta readers, Absolute Write is launching a beta-matching project on December 25, although you can sign up for it right now.

Happy revising!

Agent Crit Giveaway

Listening to: Switchfoot, "More Than Fine"

Attention writer friends: In researching agents to query, I discovered that Caren Johnson is giving away a free 3-chapter or 30-page and synopsis critique. Details here, toward the bottom of the post. Genre and subject don't matter--she'll critique it even if she doesn't rep it. Winner picked randomly and announced January 31.

An agent critique would be wonderful and nerve-wracking. I entered, because my nerves can always use some wracking--and my work can always use some, well...work.

Fixing It

Listening to: Dispatch, "Drive"

Well, I'm on my way to fixing the problem with the book. I broke down and made an outline of how it should go, and I'm going through scene by scene to make the necessary changes. It feels pretty good to get this done, and I think the story will benefit greatly. This isn't the way I prefer to write, but it's necessary at this point. I don't have the ending outlined--just the revisions for everything I've written so far, past the point where I screwed up.

In other news, via Diana Peterfreund I found a fabulous new resource, Query Tracker. It lists clients of agents for whom the info is available, and you can also see how many other members of the site have queried them, and what their results have been (information requested, manuscript requested, rejected, etc.). It helps, of course, if you input your own data. It allows you to track your queries by date and response received. Pretty much what I do in a spreadsheet, but blended with a whole bunch of other useful data. You can also leave comments about a particular agent, and view others' comments.

As a whole, pretty darn helpful. I'm going to use it to supplement, not replace, my normal records. Give it a try and let me know what you think!

-K.